The first track on my album Journey is called Consequences and comes from my score for the feature film Sasquatch (2016). Writing this piece taught me a lot about character points of view and I’d like to share with you what I learnt. To avoid major spoilers, I’ve changed the names of the characters, but you’ll still find a few minor spoilers ahead. Be warned!
MINOR SPOILERS AHEAD!
During the film there is an accident with a gun and someone, lets call them Brian, ends up shot and bleeding out in the arms of John. Standing around them are two of their friends, holding each other.
From John’s point of view (and the nearby friends) the scene is obviously very sad. And this is the point of view that the music takes. However, initially I had scored this from the point of view of Brian. As Brian speaks his last words, he is not afraid. Instead he is almost hopeful. He lost someone very close to him, but sees death as an opportunity to see them again, and reassures his friends that he will be alright. So we have the same scene, with two different points of view and approaches. My first approach was to score the scene from Brian’s perspective, which you can hear below.
However, a week before we had to submit the final version of the film, I was asked to rewrite the music from John’s perspective. And thus the piece was born in its current form.
The final version, which I called Consequences, is a lot more minimal in it’s approach. And I was amazed at how strongly the music was able to say so much with just a few simple notes.
Last week I wrote a blog post about creating an 80s synthpop track for a short film. This week, you get to watch said short film and witness my music in context. The film is called Electricity Bills and the track which I wrote plays both at the beginning of the film (0:00 minutes) and the end (6:31 minutes).
Whilst you can’t yet watch the film, I wanted to celebrate my first short film score with a free downloadable soundtrack.
Friend Request is a 20 minute short film that I wrote 15 minutes of music for, in just 2 weeks. This is technically my second film score, as I actually started working on a feature film before this. However, that’s still in post production, hence I’m posting this one first. For the feature, I was writing an average of 5 minutes of music a week, so I was really pushing myself with Friend Request. Professional film composers write on average, 2 to 3 minutes of music a day, which is what I always try and aim for now. Although working a full time job obviously means I can’t quite produce as much per week as they would.
It was just 18 months ago that I actually started learning how to write music, so the completion of this film has been a big milestone for me. And I was lucky enough to watch the film at the O2 Cineworld in London a couple of weeks ago, where hearing my score on the big screen was such a wonderful experience and a great way to mark this achievement in my composing career.
We’ll soon be submitting the short to film festivals, when I’ll hopefully be able to share the film with you. But until then, I hope you enjoy the music, and please do share it with your friends 🙂
I posted awhile ago about a piece of music I’d written for an A-Level film project. It was to be for the opening sequence of a thriller and I ended up writing it before the sequence was shot, or the story written. Well the sequence is now finished, and since it’s my first onscreen credit, I wanted to celebrate and share it.