Consequences: Composing from different character perspectives

The first track on my album Journey is called Consequences and comes from my score for the feature film Sasquatch (2016). Writing this piece taught me a lot about character points of view and I’d like to share with you what I learnt. To avoid major spoilers, I’ve changed the names of the characters, but you’ll still find a few minor spoilers ahead. Be warned!


MINOR SPOILERS AHEAD!

During the film there is an accident with a gun and someone, lets call them Brian, ends up shot and bleeding out in the arms of John. Standing around them are two of their friends, holding each other.

From John’s point of view (and the nearby friends) the scene is obviously very sad. And this is the point of view that the music takes. However, initially I had scored this from the point of view of Brian. As Brian speaks his last words, he is not afraid. Instead he is almost hopeful. He lost someone very close to him, but sees death as an opportunity to see them again, and reassures his friends that he will be alright. So we have the same scene, with two different points of view and approaches. My first approach was to score the scene from Brian’s perspective, which you can hear below.

However, a week before we had to submit the final version of the film, I was asked to rewrite the music from John’s perspective. And thus the piece was born in its current form.

The final version, which I called Consequences, is a lot more minimal in it’s approach. And I was amazed at how strongly the music was able to say so much with just a few simple notes.


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